Free Webinar: Creating Custom Facial Rigs in Anime Studio Pro 9
Presented By: Vern Zehr, Animator, Illustrator and Web Designer
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Understanding Adobe Photoshop CS6
 A new year; a new chance to expand your skillset. This weekend, I looked at "Understanding Adobe Photoshop CS6 for Imaging Professionals". It's a long title, and there are three differently treated fonts in the title treatment - don't let that dissuade you from peeking inside. This is Photoshop we're talking about. You've heard about it. You've purchased the latest version. And now, you want to jump in and figure out how to work it like a pro. Richard Harrington has just the book for y
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AFTER EFFECTS APPRENTICE
 Trish and Chris Meyer have been writing books for Adobe After Effects users for several years. Their After Effects Apprentice book is currently in its third edition, which covers Adobe's current version of After Effects, CS6. This also offers lessons for those who may be using earlier versions of the software. The book is not only for the "Aspiring" motion graphics artist, but for anyone who wants to improve their all-around skills in the popular animation software.
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Coca-Cola's 2012 Euro Cup "Spirit of the Euro" Commercial Rockets to Life with DaVinci Resolve
 Coca-Cola's 2012 Euro Cup "Spirit of the Euro" commercial is an animated wild ride that captures the excitement, fun and craziness of the soccer tournament and its fans. In the spot, a very passionate fan zooms through the sky in a Coca-Cola powered soccer boot, releasing soccer ball bubbles in its wake that turn all they touch into deliriously enthusiastic soccer fans. Produced by Portland, Oregon based BENT IMAGE LAB and directed by Carlos Lascano, "Spirit of the Euro" is a highly creative and exciting commercial that required equally intense and vibrant color to bring it to life, which was achieved thanks to Jalal Jemison, BENT's lead colorist, and Blackmagic Design's DaVinci Resolve color correction software.
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MAXON's CINEMA 4D R14
 In Los Angeles and New York, motion graphics animators have seen year over year dominance and adoption of MAXON's flagship software CINEMA 4D. Their newest release offers users improved feature sets and new tools to create 3D models and animation even easier than before.
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Pogo Connect
 The Pogo Connect is the first stylus that allows its user to use pressure sensitivity with a touch screen device. Previously code-named Blue Tiger, the pen promises to change the way artists interact with their portable devices.
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Wacom's Bamboo Pocket Stylus
 Today, Wacom introduced a brand new way to be creative on the go. The Bamboo Pocket Stylus is small enough to take with you everywhere, but has enough volume to feel like your professional stylus. The Bamboo Pocket Stylus fits your creativity wherever you are.
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Q&A with Creative Supervisor of Replacement Animation & Engineering Brian McLean
 With ParaNorman, we have made the first stop-motion movie that uses a 3D Color Printer. The technique is similar, but what the 3D Color Printer affords you to do is to build color into the model. ParaNorman is not only a wonderful story but it is the most advanced stop motion film of all time. I think the audience members will ultimately get so involved in the story that the will forget that they are actually watching a hand crafted stop motion movie. Only after the movie is over do they have time to think "whoa how in the world did they do that?"
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Q&A with Animation Supervisor Brad Schiff
 I have many proud moments from this film. Most of them revolve around the success of the animation team. While it seems like it's all fun and games, what we do is incredibly difficult and taxing...mentally and physically. It takes great skill, concentration and confidence to animate at this level. Witnessing the animators on this film shoot the greatest shots of their careers on ParaNorman has proven to be most rewarding to me.
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Q&A with Visual Effects Supervisor Brian Van't Hul
 In Part 2 of our PARANORMAN interview series we talk with Brian Van't Hul who works at animation studio LAIKA, and was also the visual effects supervisor on the company's Oscar-nominated 2009 feature "Coraline." His previous stop-motion credits include Tim Burton's "The Nightmare Before Christmas" and "James & the Giant Peach."
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Q&A with Director of Photography Tristan Oliver
 A cinematographer for over 20 years, Tristan Oliver's stop-motion animation credits as cinematographer include the Academy Award-winning short films "The Wrong Trousers" and "A Close Shave," as well as the features "Chicken Run", Wes Anderson's Academy Award-nominated "Fantastic Mr. Fox," and the Academy Award-winning "Wallace & Gromit in The Curse of the Were-Rabbit."
Read More Probell Films` real horror
 Probell Films is known for their indie films, especially in the (B) Horror genre.
Although Maureen "Mo" Whelan and crew are already working on t
Read More NAB 2013: Digieffects for FinalCutPro and more
If you're looking for some of DE's theme-based plugins all in one package, you've got it. Phenomena is only $99. All editors can get
Read More NAB 2013: AJA new drivers support Adobe
Are you going to NAB? If so, you're definitely a video professional. If you're a video pro, then you definitely know about AJA'
Read More NAB 2013: MAXON`s CINEWARE
MAXON , leading developer of professional 3D modeling, painting, animation and rendering solutions, today revealed the first step in its strategic
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DMN Newswire
05/16/13
New Orleans Goes Beyond the Beads with National 'Follow Your NOLA' Leisure Tourism Campaign
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TSD Video to Represent Hybrid?s Virtual Studio and Robotic Camera Solutions in Canada
Vegas Pro 10 Available Now
