Techniques
SCRATCH VR Creative Tools With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
SCRATCH VR Introduction With the release of SCRATCH 8.5, ASSIMILATE also introduced the SCRATCH VR Suite. This Suite bundles SCRATCH, SCRATCH Web and a series of tools and features for a streamlined workflow for Virtual Reality 360 media - projects. Although the basic viewing of 360 media is available even in the (free) SCRATCH Play version - all the advanced edit, grade and composite tools are only available in the SCRATCH VR Suite which requires a special license. ...Read More »
Anatomy of an Optimized Wordpress Theme Designed for Conversions By Jonathon Ohayon The life of a digital marketer is an interesting one. There is never a dull moment- there are new trends to read about, new social media platforms to master, a countless supply of SEO tips and tricks to try, content and creative to develop and so forth. It can be exciting, inspiring, and overwhelming, all at once. And while these are all necessary functions that we are tasked with performing, they can also distract from the #1 thing that digital marketing needs to help achieve: CONVERSIONS! ...Read More »
The Cinema 4D R17 Lens Distortion Tool By Stephen Schleicher Maxon introduced a number of new features in Cinema 4D R17 when it was released last year. While the Motion Tracker is a fantastic tool to track footage and composite 3D elements, often wide angle footage introduces perspective errors in the final rendered image. Unless the user knows what camera was used to capture the source footage, the focal length of the lens, and the field of view, correcting that footage, or adding the lens distortion to the 3D elements is a tricky and sometimes frustrating experience. ...Read More »
Exporting from PremiereClip to PremierePro By Ko Maruyama Adobe's Premiere Clip offers an easy way to shoot and edit on your iPhone or iPad. You may want to refine your edit or add some additional layers of video or audio in Premiere Pro. It's an easy process, and with your CreativeCloud account, you'll have access to many other applications too ...Read More »
HOW TO WIPE SSD ON MAC OS X By Andrey Sharpar Keeping sensitive data undisclosed becomes very critical nowadays. Whether you want to migrate your system to a new storage device, sell or give away your old laptop or free space on your storage device - permanent removal of sensitive personal or business information is of the highest priority. In addition, it is important to know that the traditional HDD-based wiping methods for SSDs shorten their lifespan as this operation eats up write cycles. ...Read More »
The Foundry's Mischief By Ko Maruyama Here's my 4 minute review after a first look at the software. Seriously - in 2 minutes, you'll be comfortable with the software. Why? Because it just does one thing - sketching. This is what it was meant to do. And it is RIDICULOUSLY FAST. ...Read More »
C4D Quick Tip By Ko Maruyama Here's a really basic way to control the pupil of a cartoon character using a simple gradient shader and user data to drive the radius. ...Read More »
Cinema 4D R16 Motion Tracker Run-Through By Stephen Schleicher CINEMA 4D Studio is the very best that MAXON has to offer for professional 3D artists. If you want to create advanced 3D graphics but need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then this is the choice for you. In this tutorial Stephen Schleicher runs through the new Motion Tracker in Cinema 4D R16, and shows how you can track 3D objects into your shot without the need of an additional application. ...Read More »
Designing For Tablets By Joseph Lowery In this segment of the Lynda.com video course Dreamweaver CS6 and Wordpress 3.8: Core Concepts Designing For Tablets shows how to combine the utility of WordPress and the power of Dreamweaver to transition existing websites to the WordPress platform. ...Read More »
Documenting A Road Trip Via Video By David Hague The Monaro is to be wired up with a phalanx of camcorders; a Kaiser Baas dashcam is mounted on the windscreen with a 64GB Sandisk card, a Sony HDD DCR-SR200 Handycam is on a Hague headrest mount (no relation by the way), and a Canon Legria Mini-X 'action cam' is to perform roving boundary rider camcorder duties when not mounted to another Hague mount, a suction based heavy duty unit kitted out with Manfrotto hardware. Audio is also well catered for too. An Azden wireless mic setup with a label lav mic will record dialogue to a Samsung Recorder, a RØDE VideoMic Go on the Sony will record ambience, suitably backed up with a RØDE Videomic 2 on the Legria. ...Read More »
Mounting Camera To Auto Headset By David Hague I have been asked by a few people to give some more nuts'n'bolts information on the mounts I have in the Monaro. First up, we'll look at the headrest mount. It's quite a simple affair on the surface, in being a bracket that wraps around the 'posts' of the lifted headrest, and this is then tightened by a couple of butterfly/wingnuts. ...Read More »
Masking: The Black Art Of Video Making By David Hague Masking to many, is the black art of video making. It all sounds, well, too hard to bother with, with terms such as 'alpha channel', 'compositing' and 'overlay' to deal with. But trust me gentle reader, knowing even the basics of masking and compositing will add a whole new dimension to your home videos, family documentaries, short films and so on. We'll start with something simple. For the sake of the exercise I am using Sony Vegas Pro here, but the basics apply to any editing package (NLE) that dares call itself such. ...Read More »
A Smashing Way to Make Glass Props! By David Hague All the best movies have a car chase (think Bullitt and the French Connection) but they also should have a bullet smashing a window - or anything smashing a window really. If you need to break a window or some such thing in your next production don't risk cuts and lacerations. Do it this way! (With stuff from the kitchen larder) ...Read More »
Do You Know How Long An Average Scene Lasts? By David Hague How long do you reckon the average scene in a TV show lasts for? A minute? 30 seconds? There is nothing more boring than watching a fixed camera shooting a scene for a long period of time. And I define a long period of time as more than 15 seconds! ...Read More »
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