Features
Singer Clara's 'Parasite' Music Video Shot with Blackmagic URSA Mini 4K by TruLove Post In the music video for her single "Parasite," singer Clara takes a unique approach. The song is about a girl who repeatedly tries to steal her friends' lovers, like bees who try to steal the honey bee's honey. Clara uses the music video not as a storyline for the lyrics, but as a message and a warning to the offending girl, while also expressing the feelings and confusion one goes through when trying to understand why someone would act that way. ...Read More »
Tale of Design By Larry O Connor The relationship of Apple and Adobe has been strained at times especially in the areas of design and photography. Thru the years Rick Redfern has been involved in testing, using key products with Adobe pushing the products beyond their initial designed limits in applications that today seem commonplace and routine. It's an interesting tale of the creative evolution of the two firms. ...Read More »
Focusing on Creativity and Relationships with Events United and Blackmagic Design Where do musicians turn when they prepare carefully for gigs, only to find their performances ruined by poor production? They take matters into their own hands. That's what Tim Messina did when he founded Events United in Londonderry, NH. Events United is a full-service audiovisual production company specializing in houses of worship, concerts, theaters, corporate events, weddings, and other special events. ...Read More »
Content Insider #481 - Not Really By Miles Weston If you've been following the video streams from Rio with your VR headset on you've really gotten the feeling that you are there without spending a lot of money on flights and hotel. You're also getting the feeling of being at the center of the action and the crowd without the crowd. You'll have to forgive the enthusiasm of NBC, BBC, the Olympics committee and announcers who are telling you how great the activities are in VR. It ain't. It's pretty good 360 video they're streaming to you. Ok I'm being picky about the differences but so are a lot of filmmakers who are shooting and prepping 360 and VR films. Try both...you'll feel the difference. ...Read More »
ASSIMILATE Releases SCRATCH v8.5 Update, Supporting RED's New 8k Weapon Helium Sensor and 8k VistaVision Always at the forefront of post-production support for the latest RED digital camera formats (www.red.com), ASSIMILATE's SCRATCH 8.5, build 909, now includes support for RED's new 8K Weapon Helium Sensor, as well as the 8K Weapon VistaVision-sized Sensor (full frame). Support includes the Log3G10 gamma space and REDWideGamutRGB color space. ...Read More »
Shooting "Savior" on URSA Mini 4.6K Dillon McEvoy (DP), Mike Overton (Director) and Matt Ramey (Producer) are film students at Chapman University and just completed their Junior level Advanced Production short film." And you would be hard pressed to tell the difference in quality between their film, "Savior," and a big-budget Hollywood film. To create a high quality war film is a huge undertaking. You have to get the uniforms right. Weapons and scenery have to be accurate, and you have to combine that with action scenes, VFX, physical effects, such as blood, and making sure you get the right actors that can believably inhabit the role of soldiers. And for a student film, all on a miniscule budget that would not even pay for catering on a typical Hollywood set. ...Read More »
Digital Colorist Dave Franks Discusses VR Post-Production for Jaunt's "Pure McCartney VR" Digital colorist Dave Franks enjoys helping to deliver bleeding-edge projects, like director Tony Kaye's VR experience: "Pure McCartney VR"- a five-part series of stereoscopic virtual reality (VR) experiences, produced by Jaunt Studios. Innovation in the delivery of musical content has been a passion for Paul McCartney, so the VR space was a perfect medium for him to collaborate with director Tony Kaye and Jaunt to release these episodes. Each one of them is a unique vignette of McCartney discussing the origins of some of his most iconic music and other anecdotes within environmental montages of his artwork, photographs, and related imagery. ...Read More »
Using Wireless Technology to Track Inventory By SooJi Min for America's Backbone Weekly Construction sweeping business LoRe Sweeping cleans up its bottom line with fleet-management software. ...Read More »
Are Online File Storage Sites for Business Secure? By Nick Pell for America's Backbone Weekly Online file storage sites are increasingly popular, but is your business' privacy at risk? ...Read More »
An Interview with Digital Video Producer and Director Edward Payson By Maureen Mo Whelan I had the pleasure of working with Edward Payson when he was directing the comedy-horror short film, Dinner with the Dwyers. He's been a working director in the entertainment industry for seven years and has directed short films, feature films, commercial spots, infomercials, webisodes and documentaries. The recent documentary he just finished is Our Friend - Jon - The Documentary about his friend who passed from Sickle Cell Anemia. ...Read More »
The Clock is Ticking An hour can fly by quickly when making a film but the team at indie production house Photon Harvest Productions is making the most of it. In their new One Hour Short Film Experiment, the Photon Harvest team is creating a series of compelling, polished short films that all have one thing in common - each part of the production and post production process was limited to an hour. An hour to write, an hour to shoot, an hour to edit, an hour to color grade, an hour to sound mix - the clock is certainly ticking away. ...Read More »
Pixar's Universal Scene Description By Ko Maruyama With this initial release, Pixar is opening up its development process and providing code used internally at the studio. USD provides a rich and powerful toolset for reading, writing, editing, and rapidly previewing 3D scene data. With many of its features geared towards performance and large-scale collaboration among many artists, USD is ideal for the complexities of the modern pipeline. One such feature is Hydra, a high-performance preview renderer capable of interactively displaying large data sets. ...Read More »
ASSIMILATE Continues Fast Pace of Leading-Edge Functionality for SCRATCH Ecosystem with New SCRATCH 8.5 In its continued commitment to boost the creativity and productivity of creative professionals in digital cinema within a streamlined workflow, ASSIMILATE today announced SCRATCH 8.5, a significant update to its entire SCRATCH ecosystem. The new, real-time SCRATCH 8.5 ecosystem includes the SCRATCH 2D/3D post-production tools - dailies, conform, color grading, versioning, compositing, and finishing; SCRATCH Play for playback and review; and SCRATCH Web for cloud-based review and collaboration. ...Read More »
The City of Frederick MD's Audio Visual Department Lays the Groundwork for the Future with Blackmagic Design The City of Frederick, MD, Audio Visual Department's (AVD) mission statement is to "Deliver a complete and concise stream of information and alerts to inform and prepare residents and staff through audio visual media." As the AVD's Lead Video Producer, Lance Duvall is responsible for ensuring that the department delivers on this duty, and he knows that in order to do so, the AVD's equipment must be reliable. ...Read More »
Director JOHN PUTCH at the helm of two new shows this fall. Veteran indie and TV director JOHN PUTCH has been tapped to direct episodes of the new high profile series "APB" for FOX and "NO TOMORROW" for the CW. ...Read More »
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